Original research · Dataset v1.0 · Snapshot 2026-09

How Accurately Can the Real Locations of Famous Paintings Be Identified?

This study audits the precision of every one of the 210 painting-location markers in the current PaintingLocations dataset. It distinguishes a supported exact viewpoint from a specific real subject and from a deliberately broad landscape marker.

Executive summary

Of 210 mapped artworks, 7 currently have independently verified artist viewpoints supported by museum or scholarly evidence beyond Wikidata. A further 10 are structured Wikidata viewpoint records awaiting that verification. The remaining works are mapped as identified real subjects or broader real landscapes, not as artist standpoints.

Precision distribution

17exact viewpoint points
109approximate subject points
84area-level markers

“Exact”, “approximate” and “area” describe what the map marker claims — not a universal measure of a painting’s artistic accuracy.

What the markers represent

17A: recorded viewpoints
112B: identified real subjects
81C: real landscapes or cityscapes

Read the plain-English classification methodology.

7 independently verified viewpoints

These records have a museum catalogue, scholarly source or comparable evidence supporting the viewpoint beyond the Wikidata record. The map shows these seven only.

10 additional structured viewpoint records

These A-class records are based on Wikidata P1259 and remain useful map leads, but do not yet meet this study’s independent-verification threshold. They are not described here as independently documented exact viewpoints.

All 17 A-class records

PaintingPlaceEvidence statusSource
A Sunday Afternoon on the Island of La Grande Jatte
Georges Seurat
Ile de la Grande Jatte, Neuilly-sur-Seine (Seine bank, looking to Courbevoie)Independently verifiedMuseum or scholarly evidence
Café Terrace at Night
Vincent van Gogh
Place du Forum, Arles (cafe terrace, NE corner)Independently verifiedMuseum or scholarly evidence
East Wind Over Weehawken
Edward Hopper
WeehawkenStructured record awaiting verificationWikidata P1259
Impression, Sunrise
Claude Monet
hotel room at 41-45 Grand-Quai, Le Havre, facing SE over the outer harbourIndependently verifiedMuseum or scholarly evidence
La Place des Pyramides, Paris (I)
Giuseppe De Nittis
place des PyramidesStructured record awaiting verificationWikidata P1259
Midsummer Dance
Anders Zorn
MorkarlbyStructured record awaiting verificationWikidata P1259
Moscow courtyard
Vasily Polenov
Moscow courtyard — viewpointStructured record awaiting verificationWikidata P1259
Paris Street; Rainy Day
Gustave Caillebotte
rue de MoscouIndependently verifiedMuseum or scholarly evidence
Paris, vu des hauteurs du Père Lachaise
Louise-Joséphine Sarazin de Belmont
ParisStructured record awaiting verificationWikidata P1259
Summer Evening at Skagen Beach – The Artist and his Wife
Peder Severin Krøyer
SkagenIndependently verifiedMuseum or scholarly evidence
The Avenue at Middelharnis
Meindert Hobbema
The Avenue at Middelharnis — viewpointStructured record awaiting verificationWikidata P1259
The Church at Auvers
Vincent van Gogh
Notre-Dame d'Auvers-sur-Oise, from the Rue DaubignyIndependently verifiedMuseum or scholarly evidence
The Russian Ship of the Line "Asow" and a Frigate at Anchor in the Roads of Elsinore
Christoffer Wilhelm Eckersberg
Kronborg CastleStructured record awaiting verificationWikidata P1259
The Vegetable Market in Amsterdam
Gabriel Metsu
AmsterdamStructured record awaiting verificationWikidata P1259
View of Delft
Johannes Vermeer
Delft, seen from the south bank near the Kolk / HooikadeIndependently verifiedMuseum or scholarly evidence
View on the Amstel from Amsteldijk
Jacob van Ruisdael
AmstelStructured record awaiting verificationWikidata P1259
Vue du canal Saint-Martin
Alfred Sisley
Canal Saint-MartinStructured record awaiting verificationWikidata P1259

Methodology

The study includes only the current 210-work PaintingLocations mapped core. It derives counts from the same versioned snapshot available below. Source-derived facts include artwork identity, relations and many coordinates; PaintingLocations owns the semantic classification, precision label and independent-evidence distinction. Full definitions: location classification and evidence standards.

What this study does not claim

  • It does not claim to measure every famous painting or every online painting-location map.
  • It does not turn an identified building or landscape into a documented artist standpoint.
  • It does not redistribute Wikimedia Commons images or OpenStreetMap geometry.
  • It does not treat a Wikidata viewpoint assertion alone as independent verification.

Dataset, licence and citation

Download CSV · Download JSON

The downloadable snapshot records PaintingLocations’ original editorial classifications, precision labels and evidence-status assessment. It also contains source-derived factual fields with provenance. No blanket licence is asserted for this mixed-provenance snapshot. It does not relicense Wikidata, museum, Wikimedia Commons, OpenStreetMap or other source material: each source remains subject to its own terms. No Commons image file or OSM geometry is included.

PaintingLocations. “Painting Location Precision Study.” Painting Location Precision Dataset, v1.0, snapshot 2026-09. https://paintinglocations.com/data/painting-location-precision/

Sources

Structured source facts are drawn principally from Wikidata. The seven independently verified records link to their supporting museum or scholarly source above. PaintingLocations’ classifications and methodology are original editorial research; the source-derived facts retain their original provenance and applicable source terms.

© 2026 PaintingLocations. V1 launch collection — data from Wikidata, Getty, OpenStreetMap, Wikimedia Commons and museum open-access APIs. Image rights follow each source; see individual painting pages.