Plain near Auvers by Vincent van Gogh
Wikimedia Commons · CC BY 4.0 — Vincent van Gogh

Plain near Auvers

The open crop plain on the plateau above Auvers-sur-Oise, stretching to a low horizon — Van Gogh's last landscape country.

The landscape depicted

Auvers-sur-Oise

The painting depicts a real landscape or cityscape. The precise viewpoint the artist used may be unknown, so the marker shows the general area.

Plain near Auvers — at a glance

Artist
Vincent van Gogh (1853–1890)
Year
1890
Movement
Post-Impressionism
Place
The plateau above Auvers-sur-Oise, France
Viewpoint
The open crop plateau above the village — still farmland; a broad sweep, not a fixed spot
Medium
Oil on canvas
Dimensions
c. 74 × 92 cm
Now at
Neue Pinakothek, Munich (related version, Belvedere, Vienna)

Overview

Plain near Auvers is one of several wide, panoramic field pictures Vincent van Gogh painted on the plateau above Auvers-sur-Oise in the last weeks of his life, in July 1890. It shows crops of different greens and golds running back in long bands to a far, low line of buildings and trees under a big sky. It is oil on canvas, about 74 by 92 cm, and it hangs in the Neue Pinakothek, Munich; a closely related version is in the Österreichische Galerie Belvedere, Vienna.

Where was Plain near Auvers painted?

Scholarship Above the village of Auvers-sur-Oise, north-west of Paris, a flat plateau of wheat, oats and other crops opens out — the country Van Gogh painted repeatedly in June–July 1890. The plateau is still largely open farmland today, so its character survives; these wide views take in a broad sweep of it rather than one marked spot.

Real placeAuvers-sur-Oise
ViewpointThe landscape depicted
Coordinates49.07167, 2.17417
Original now atBavarian State Painting Collections, Munich
The landscape depicted Current museum

What is in the painting?

Bands of green, yellow-green and gold crop run parallel to the horizon, some with rows and furrows, a few dark accents of bushes or haystacks. Far off, low roofs and a line of trees; above, a wide sky of pale blue and moving white cloud, worked in swirling strokes. There are no prominent figures — the subject is the open land itself.

Look closely

The banded crops

Strip after strip of green, yellow-green and gold field runs parallel to the horizon.

The far village

Low roofs and a line of trees mark the edge of the plateau in the distance.

The swirling sky

A wide sky of pale blue and curling white cloud fills the top.

The directional strokes

Each band of field is worked in its own rhythm of brushmark.

Analysis

Composition and technique

Horizontal bands of crop under a broad restless sky, painted in fast directional strokes.

Scholarship Van Gogh keeps the design almost entirely horizontal — strip after strip of field to a low horizon — and animates it with the direction of the brushwork, each band worked in its own rhythm, the sky in curling white. The wide format spreads the plain out flat before the viewer.

History & provenance

The Munich version is in the Neue Pinakothek; the related picture is in the Belvedere, Vienna.

Sources

  • Neue Pinakothek, Munich / Belvedere, Vienna — collection entries for Vincent van Gogh, ‘Plain near Auvers’ (1890)
  • ‘Vincent van Gogh: The Letters’ (Van Gogh Museum) — Auvers, 1890

More by Vincent van Gogh

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The Church at Auvers by Vincent van Gogh
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The Church at Auvers

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Also connected to Auvers-sur-Oise

The Church at Auvers by Vincent van Gogh
Exact viewpoint

The Church at Auvers

Vincent van Gogh •1890

Notre-Dame d'Auvers-sur-Oise, from the Rue Daubigny Exact viewpoint
Musée d'Orsay Current collection
Wheatfield with Crows by Vincent van Gogh
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Wheatfield with Crows

Vincent van Gogh •1890

Auvers-sur-Oise The landscape depicted
Van Gogh Museum Current collection
The Hanged Man's House by Paul Cézanne
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Paul Cézanne •1874

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