Capo di Noli, near Genoa
The pink cliffs and green pines of Capo Noli plunging into the blue Ligurian Sea — Signac's Riviera in mosaic-bright colour.
Italian Riviera
The painting depicts a real landscape or cityscape. The precise viewpoint the artist used may be unknown, so the marker shows the general area.
Capo di Noli, near Genoa — at a glance
- Artist
- Paul Signac (1863–1935)
- Year
- 1898
- Movement
- Neo-Impressionism (Pointillism / Divisionism)
- Place
- Capo Noli, Ligurian coast between Savona and Noli, Italy
- Viewpoint
- The pink cliffs of the headland — still there, a protected area much visited; the colour is heightened
- Medium
- Oil on canvas
- Dimensions
- c. 93 × 75 cm
- Now at
- Wallraf-Richartz-Museum, Cologne
Overview
Cap de Noli is one of the Mediterranean coast pictures Paul Signac painted after settling at Saint-Tropez, made on a trip along the Ligurian Riviera in 1898. It shows the rocky headland of Capo Noli: warm pink-and-ochre cliffs dropping steeply, dark umbrella pines clinging to them, a strip of beach or road, and the turquoise-and-blue sea, all built up from small square touches of pure, high colour. It is oil on canvas, about 93 by 75 cm, and it hangs in the Wallraf-Richartz-Museum, Cologne.
Where was Capo di Noli, near Genoa painted?
Scholarship Capo Noli is a limestone promontory on the Riviera di Ponente, on the coast of Liguria between Savona and the small medieval town of Noli, west of Genoa. Its steep pink cliffs, pines and the coast road and railway that thread past them are still there and much visited; the headland is a protected natural area. Signac's viewpoint along the cliffs can be broadly matched, though the colour is his own heightening.
What is in the painting?
The cliff fills most of the picture, rising from the lower right — bands of warm rose, orange and mauve rock, tufted with the dark rounded forms of pine trees. A pale ribbon of path or beach runs along its foot; the sea is a broad expanse of turquoise, green and violet-blue, meeting a light sky. Everything is laid in separate rectangular strokes of unmixed colour.
Look closely
The banded cliff
Warm rose, orange and mauve rock rises from the lower right, tufted with dark pines.
The umbrella pines
Dark rounded pine crowns cling to the steep cliff face.
The mosaic strokes
The whole surface is separate rectangular touches of unmixed colour, blended by the eye.
Analysis
Composition and technique
A steep coloured cliff mass against sea and sky, built entirely from a mosaic of separate high-colour touches.
Scholarship Signac, by now using larger, mosaic-like touches rather than fine points, keys the whole picture to intense complementary contrasts — pink and orange rock against blue-green sea — and lets the eye do the blending. The design is simple and bold; the colour is the subject.
History & provenance
The painting is in the Wallraf-Richartz-Museum, Cologne.
Sources
- Wallraf-Richartz-Museum, Cologne — collection entry for Paul Signac, ‘Cap de Noli’ (1898)
- Françoise Cachin, ‘Signac: Catalogue raisonné’